By Gary Brewer “First of all, on the surface on which I am going to paint, I draw a rectangle of whatever size I want, which I regard as a window through which the subject to be painted is seen.” ~Leon Battista Alberti, De pictura, 1435 Studio Visit with Yvette Gellis. Photo Credit Gary Brewer. [...]
Yvette Gellis in the largest and most important newspaper in uper Austria.
Brunnhofer Galerie Eröffnung: Freitag 29. Jänner 2016, 19.00 Uhr mit literarisch-musikalischer-performance von: Elisabeth Brunnhofer u. Paul Jaeg Dauer der Ausstellung bis Samstag 5. März 2016 http://www.brunnhofer.at/termine.php?vorschau=1&node=332&lang=en Artist Statement (excerpt) My work derives inspiration from the world in which I live and work. Wandering through various cities and environments with their endlessly shifting landscapes, often incongruous, [...]
by DAVID M. ROTH From Da Vinci to Picasso to Hockney, shifts in perspective have long reflected changes in how technology enables us to see. Non-Objective painting (and later Abstract Expressionism), with their focus on matters of the spirit, seem to have flown right past the immediate environs of their creators, thereby sidestepping any significant [...]
By Kenneth Baker Art Critic SF Chronicle Friday, March 13, 2015 Yvette Gellis at Toomey Tourell: March 13, 2015 by Kenneth Baker Too little contemporary painting delivers a sense of adventure either to informed or uninitiated viewers. Count the work of Los Angeles painter Yvette Gellis an exception. Her paintings, in Toomey Tourell's final exhibition at its [...]
CRITIC’S PICKS: 2014 Top 10 Lists By Molly Enholm - Yvette Gellis “1,000 Ways to See It” Three-dimensional rifts on previous work, seemingly on the brink of new discoveries.