by DAVID M. ROTH

From Da Vinci to Picasso to Hockney, shifts in perspective have long reflected changes in how technology enables us to see.  Non-Objective painting (and later Abstract Expressionism), with their focus on matters of the spirit, seem to have flown right past the immediate environs of their creators, thereby sidestepping any significant reimagining of urban and architectural space.  LA painter Yvette Gellis seeks to alter that by using the outward trappings of Abstract Expressionism to forge new possibilities.

http://www.squarecylinder.com/2015/03/yvette-gellis-toomey-tourell/

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