Yvette Gellis on Katharina Grosse

Yvette Gellis on Katharina Grosse

The soul of French painting in the 1860’s and 1870’s was indebted to Diderot who, a hundred years earlier, wrote about theatricality in painting. He advanced the idea that a viewer’s experience of a painting should be that of a fluid, ongoing occurrence, rather than about witnessing a dramatic set up, as in the elaborate [...]